“Most of the best ideas about how to make space for artists, to tell stories through artworks, usually come from outside the manuals. The best ideas are not recited by a professor, but made up in your own head.
You learn what everyone sooner or later does, though it comes off as utterly cliché advice if ever repeated. There is no right or wrong path to become anything really, and besides, you get to decide what success means. Make your own job, career, life. Become whoever you want to be, however you want to be it.”
“The curator only incorporates works that generate political friction when she is prepared for the political debate. / Public relations specialists theorise about politics with the same self-satisfied naivety of an adolescent who wears underwear printed with the image of Che Guevara.”
“I learnt about photography as a part of material culture and a demonstration of human endeavour, rather than as a subsection of the story of modern and contemporary art with the concomitant concept of art photography as a commodity within a neoliberal marketplace.”
“The creative processes that I am drawn to rely on finding points of interest and properly reflecting on their meaning and causality. This position enables open-ended practices to unfold. Such practices are at the heart of human creativity and the enduring – pre-photographic – desire to make marks that delineate and are comprehended in our time.”
“I think the photographic is alive and well; a fitting adjective rather than a solidified noun.”
“An artist can aspire to a certain sovereignty, which today implies that in addition to producing art, one also has to produce the conditions that enable such production, its channels of circulation. Sometimes the production of these conditions can become so critical to the production of work that it assumes the shape of the work itself. This should not be confused with the job curators have and the work they do. As an artist, I would not attempt to propose a solution for curators; they themselves need to come up with ways of thinking and working that do not undercut the sovereignty of artists.”