“The key for all of this is who is in the driver’s seat. If you’re happy with being a passenger and with having to change vehicles usually the moment you’ve become a bit comfortable, then stick with Silicon Valley’s boom-and-bust cycle. If that’s not what you want, going back to blogging is likely to give you a lot more agency. If you want to change your blog it’s you doing it, not some people who decide for you that starting tomorrow you will just see things differently, sorted now by what makes best sense for advertizers or shareholders.”
I try to make art which celebrates doubt and uncertainty. Which provokes answers but doesn’t give them. Which withholds absolute meaning by incorporating parasite meanings. Which suspends meaning while perpetually dispatching you toward interpretation, urging you beyond dogmatism, beyond doctrine, beyond ideology, beyond authority.
” The problem with challenging the dominant ideology is like the problem of satire–in the old school sense, a text that deflates ideology to make it less important; satire really doesn’t ever work. In some sense, all you might ever accomplish is making the dominant ideology seem cool or funny or capable of criticizing itself and nothing changes.”
“I’ve had classmates who wouldn’t post their work online because they were afraid of someone stealing it. And I’ve always thought, who cares? Like, you can’t steal an idea. If someone takes one of my images and puts it on the side of a bus in a different country, who gives a shit? It’s not like I was ever going to market myself there. I’m not a part of that economic system. I would have never been able to do that myself. If they want to do that, whatever.”
” Towards the end of her time in the city, she tells me, she earned money as a ‘sugar baby’ – an escort. ‘I’d rather not talk about it,’ she says. ‘It’s too dark. It was out of necessity: I wasn’t playing around. But being an escort is how most of my female peers are paying for their student fees. It’s very common’ “
“It is so easy with these technologies to believe you are Baudelaire’s ‘painter of modern life’, the ironic flâneur capturing the passing life of the modern world, or a latter-day Atget, but really you are the servant of a computerised eye. Instagram’s apparent claim of ownership of every image on its site would actually be a logical next step, for the reality is that no individuality exists in the creation of digital images.”
“The point here is not that Prince will be found liable for infringement; in the grand scheme, he probably won’t. But assuming that any image on the Internet is fair game for any other use because Prince can do what he does is to take a huge risk, and one that should not be done cavalierly. Copyright may seem outdated, but it’s the law, and Richard Prince probably won’t be there to defend you when that time comes.”