http://cphmag.com/graham-whales/
http://www.duckrabbit.info/2013/11/the-power-of-photography/
http://www.duckrabbit.info/2015/10/the-absence-of-loss/
“Whenever I talk to people who are not part of the world of photography, many of the concerns that appear to give theorists or photographers endless nightmares simply don’t appear to exist. Too many photographs? Who says so? Can there be a thing such as too many photographs, and why would that even be a problem?”
“It’s obvious that everybody reacts to art from their own points of view, their own preferences, this writer included. Still, I just wish Paul Graham’s work were just a little bit flawed, a little bit less careful, less cerebral. That said, unlike, say, Thomas Demand’s work Graham’s never drowns in its own artifice, leaving behind the feeling that what we’re really supposed to admire is the maker’s skills, not the work.”
“The inherent flaw in this idea is its assumption that because an image seems ‘banal’ it has no significance. I think the opposite. I’ve learned the hard way that images don’t just have ‘width’ and ‘height’ as these pundits would have us believe. They have ‘depth’ too, often many layers, unseen, unknown, and unguessed at by a casual viewer.”